The Best Picture Oscar winner The Hurt Locker's victory came as no surprise to some big Bollywood names.
Specifically, Abbas Tyrewala, John Abraham and Madhu Mantena. David Bryan, Supervising Art Director.
On The Hurt Locker, who was widely praised for his life like replication of the battle scarred streets of Iraq.
In Jordan, is the Production Designer for Abbas Tyrewala's next venture, starring John Abraham. The really interesting story however, is.
That David's only managed to convince Abbas to join his project as a Production Designer after showing Abbas footage from.
The Hurt Locker and how he'd recreated the streets of Iraq in the award winning film. David has.
On several occasions impressed Abbas with his detail and precision in Production Design. Looks like.
The Abbas is going to every extent recruiting genuinely talented people to mount this film (earlier titled 1-800 Love) on a large beautiful canvas.
It may be recalled that during the shooting of the film in London, the production had managed to block off traffic completely.
On Tower Bridge for 3 nights and had shot several scenes with even boat traffic on the Thames being restricted! David's first release after The Hurt Locker is to be Abbas's film, which is now under post-production. Speaking on this film, David said, "We wanted to portray the real London that is rarely seen, it's an amazing city with very diverse locations.
In particular we were looking for a real iconic Studio Apartment for our lead actor John Abraham. Later in autumn, the climax to the film grew into an epic 4 nights filming on Tower Bridge with John doing his own stunts, a real star!" He went on to further add, "Working with a Bollywood crew was a great experience, much more than on a similar British film."
Expectations are already high from Abbas's new film, coming as it does on the heels of the scripting and debut directorial magic that he displayed in the smash hit Jaane Tu Ya Jaane Na. Now with a key member of the history making Oscar Best Picture winner responsible for creating the look and feel of his film, the expectations are only bound to grow.
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